Categories
Fiction for mojo 11

Jeff Fleischer — Crocotta

Study the unexplainable long enough, and you’ll learn there’s usually an explanation.

 

The gryphon? Just protoceratops bones, discovered by Proto-Greeks who didn’t understand what they were seeing. The centaur? Horse archers of the Eurasian steppe, so adept on their steeds that they seemed to merge into one being. The roc, a bird big enough to carry elephants in its claws? Just the bones of bird-hipped dinosaurs with elephantine claws.

 

The crocotta, however, is real. I promise.

 

When I arrived here three years ago, looking to learn more about the animal, I was of the opinion it was just a case of the ancient Romans having never seen a hyena before, and exaggerating its size the way they did their opponents’ armies. When the locals would tell me the crocotta could change from male to female at will, I explained that hyenas are one of the few animal species in which males and females look alike. When they told me that the crocotta called out names in the night, I talked about the strange pitch of the hyena’s voice and how it can sound human.

 

I believed everything I said, and never questioned it. Until Joseph.

 

One night, a few weeks after I arrived, he returned home from his job at the local fruit market. According to his teenaged daughter, he made dinner for the two of them, then sat up reading a book until he heard someone calling his name. Marie said she didn’t recognize the voice, and that it said nothing except Joseph’s name, every few minutes, in a pitch so clear that it sounded like the speaker was inside their small home. Her father told her to go to bed, and not to worry about what she heard. When she woke up to use the toilet a few hours later, Joseph was gone. She could see from the window that he had left town and was walking into the forest.

 

He never came back. By the next morning, it seemed the whole town was convinced that the crocotta had called him to his death and eaten him alive. A few men followed his footprints to the edge of the forest, but they were too scared to go in.

 

The next several weeks were quiet, and I tried to assure everyone that it had just been a coincidence, that there had to be a rational explanation for why Joseph went into the forest. An old beggar woman refused to believe me, insisting the man had been eaten alive, and that he was just one of many. She brought me little balls of coarse fur that she claimed the crocotta left on the forest floor, but they felt like they could have come from a dog, or even a wild cat. She warned that the quiet period only meant the monster’s appetite had been satisfied, and that it would hunt again.

 

A few months later, a man I never met left home unannounced, and the rumors swirled again. Then a young girl. I tried organizing a party to search the woods and find evidence of what had happened, but most people were too terrified to help. I started to notice that calm actually birthed their fear; the disappearances were almost welcomed, with relief it wasn’t them. When the beggar woman went missing, nobody even claimed to hear the crocotta call her, as she had nobody around to fear for her.

 

Months went by before Marie heard her name. I was with her at the time, as she had agreed to accompany me to the woods for a search, so I heard it too. The voice was hard to distinguish, neither male nor female, but somehow both. It just said her name, calmly but forcefully, and I’ve never seen anyone as afraid as Marie was when she heard it. She froze in place, and looked at me to see if I’d heard the same thing. When I nodded, she began to run back the way we came, yelling for me to follow.

 

I ran after her, but she was younger and more athletic, and I wasn’t able to catch up. I lost sight of her until I stopped to catch my breath. There was a noise far behind me, and though I turned expecting to see an animal, I saw Marie walking in the wrong direction, back into the forest, as if in a trance. She didn’t answer when I yelled her name, or even seem to hear me, so I followed her as well as I could. Still unable to gain ground, the last thing I saw was the shadow of the beast’s gaping maw, and the last thing I heard was a sound of crushed bone. Marie never screamed, nor yelled for help.

 

Thinking there might still be time, I ran to the spot, but the only sign that she had ever been there was a line of her footprints in the mud, and a similar line of prints like a dog’s, but they had to come from a dog larger than any I’d heard about. Once I gave up hope of finding the girl alive, I searched for fur, scat, anything to take back and analyze. I didn’t find anything, but I felt like something was watching my progress from the thicket.

 

When I told people in town what had happened, I mostly received recriminations about why I didn’t believe them before. Nobody seemed to think I should have been able to save the girl, or wondered why I couldn’t find proof of what happened. Only I questioned what I had seen, and came to believe the voice in the night that terrified ancient peoples, from Ethiopia to Rome to India, had belonged to something more sinister than a scavenging hyena.

 

I tell you all this because I heard the crocotta’s voice again tonight. This time, it was calling my name.

 

 

Categories
Fiction for mojo 11

Tara Isabel Zambrano — Two Flash Pieces

 

Exchange Student

Mayo is an exchange student from the moon. He arrives in our classroom: disheveled, silver hair and orange-shot eyes; introduces himself as someone who has been drifting in the cosmos.  He sits next to me, his tight posture wrong and upsetting, making me believe he has no bones. His clothes are snug, as if stitched to his skin. He smells like cardboard.

I extend my hand. He looks at me and blinks continuously like transmitting Morse. Then he rubs his forehead. I ask him if he has a headache. He tells me he walked all night. Pressing his temples, he slowly hums. A transparent device on his wrist shines.

After the second class, he shows me a detailed map of the moon. Bubbles of artificial atmosphere inhabited by celebrities and billionaires. Chemical plants to create water. His home next to one. It is the most astonishing thing: tiny grids thriving with life despite lesser gravity and atmosphere. There’re no holidays on moon, Mayo says. There’s no God.

The teacher is deep into calculus when Mayo asks to be excused to go to the bathroom. I can’t stop looking at his long legs and firm butt. The way he walks: calculated strides cutting the arcs of light, staying there for a moment before moving again. When he comes back, he’s wet all over his pants as if he peed on himself. What happened, I ask. Release, he says and sets a timer on his device.

During the lunch hour, we buy two pizzas and a bottle of sparkling water. He talks about the mining expeditions, dead volcanoes and oceans of lava, all along his eyes watching the bubbles in the bottled water.

I like to be wet, he says. It’s like going through summer and winter at the same time. If it was up to me, I’d stay wet forever.

After the classes, we buy coke and sandwiches and sit on a park bench.

Why’re you here? I ask.

It was my turn, he says and shrugs, a drop of ketchup drying on his cheek facing me. Then he turns on the device, logs into the Deep Web, sends an email to me.

I’m not sure if it will work, I say, looking at the message, a strange mix of characters.

It should. Deep Web is like outer space.  There’s no surfing and stumbling upon things. If you know where you’re going, you’ll find it.

I nod my head.

When the day ends, Mayo shakes my hand.

You came all the way just for a day? I cannot hide my disappointment.

He looks at his device. I should be home at least a few hours before the plant opensI still have about twenty nine earth days to make it back there.

We stand close. His lips are shining wet; his pants are not dry yet. The cardboard smell is filling inside me. As he blinks, I see slivers of moons inside his eyes. I wonder if I smash his nose will there be blood? If I kiss him, will he stay wet forever? The sky is stuffed with clouds. He moves and sails away like a ship, cutting light and air, pretending to look at me and I pretend to look away.

 

sub3

 

We’re Waiting to Hear Our Names

We’re kissing in the back seat of his ’86 Chevy. Two country songs down and we’re still locked in each other’s mouths like lightning and thunder.

We’re leaning against our Chevy, its front hood up. Cars, freight trucks slam by, weakening whatever honeymoon excitement still holds our dust-dimmed minds in caucus. We’re waiting for the AAA, roving the radio dial: Keep the Baby hotline, punk rock and weight loss pitches. We’re getting into an argument. We’re looking at the horizon where the light scatters and fills the stars.

We’re rocking our twins, a boy and a girl. We’re dreaming with them, without them, swimming in a space where we’re popular names scuba diving in Hawaii and writing our love song in Bali.

We’re spending Christmas with my in-laws, we’re buying a thirty-year-old two-bedroom home that needs a clean carpet and a washer. The choices offered and the choices made, the No Man’s Land between them where we stand. We’re standing next to the lawn mower, arguing whose turn it is. We’re our hurried sex and laundry inside out. We’re Children’s Motrin in several flavors; we’re bunk beds withering into nights too short.

We’re still dreaming: riding bicycles: hair blown by the wind, cheeks red with sunlight.

We’re walking to school, driving our kids to games. We’re trying a new hair color, getting attracted to other men and women.

We’re baking cookies and cleaning the grill. We’re welcoming our kids and their fiancés. After they leave, we’re sitting on the couch together in silence. We’re going up and down the stairs. There’re only crumpled sheets and time waiting in every room.

We’re yoga in the morning, lumpy fried potatoes and meat with greasy throats in the afternoon, TV’s blank face in the night. We’re fixing the roof, changing the wallpaper. We’re growing stingy with love. We’re thinking of getting a divorce.

We’re waiting for the doctor to tell us how bad it is. We’re lying in the bed nestled with a drip. We’re asleep on the rocking chair next to the bed, an unread novel latched to our chests. We’re getting used to the sound of heart monitor, the sight of life flickering against time, the growing knots in our stomachs. Sometimes, we’re trying to laugh, laugh really hard.  We’re lighting candles, thanking God for all we have, thinking we never really had a chance.

We’re waiting for our turn to speak at the funeral, to talk about those moments of intermittent joy. Signing the paperwork, we’re lonely below the dotted line. We’re moving into assisted living, our kids, and grandkids waving at us, belted and secured in their SUVs, eager to leave. Wheel-chaired outside we’re talking to ourselves, watching the onyx sky lit with smoking streetlamps.

We’re lying in our graves separated by five years. The dirt is full of answers. Sometimes, we’re whispering each other’s name, and the dry flowers above us stir. And we’re dreaming and waiting. We’re waiting to hear our names.

Categories
Blog

Issue 10 Contributors

Abbas Abidi received his MFA from the University of Alabama. His work has been featured in brightestyoungthings.com, The Bellevue Literary Review, and Hobo Pancakes.

Vincent A. Cellucci is a scofflaw shit shooter. He wrote An Easy Place / To Die (CityLit Press, 2011) and edited Fuck Poems an exceptional anthology (Lavender Ink, 2012). Come back river, a bilingual Bengali-English translation collaboration with the poet and artist Debangana Banerjee is available from Finishing Line Press. _A Ship on the Line, a battleship-collaboration with poet Christopher Shipman released by Unlikely Books in 2014, was a finalist for the Eric Hoffer Book Award.

Brianne M. Kohl’s short stories have appeared in several publications including The Masters Review, The Stoneslide Corrective, Literary Mama, The Bohemyth, Coup D’Etat and 94 Creations. She is currently hard at work on her first novel. In addition, she has published several articles at The Review Review. To see all of her publications and awards, visit her at www.briannekohl.com. Follow her on twitter: twitter.com/BrianneKohl

Dylan Krieger is a pile of false eyelashes growing algae in south Louisiana. She lives in a little cottage with a catfish and her demons and sunlights as a trade mag editor. Her poems have appeared in Quarterly West, Local NomadDeluge, Juked, Coup D’Etat, Small Po[r]tions, and Tenderloin, among others. Find her at www.dylankrieger.com

Jordan McNair is a twenty-three year old recent graduate of the University of Maine Farmington’s BFA in Creative Writing Program. She is someone who likes to turn over damp earth in her hand, and hold warm stones of citrine and obsidian in her palms. She also enjoys the quiet serenity of Sunday mornings.

John Pula lives and writes in South Florida where he works as a mechanical engineer. He makes a point of traveling back to his native Minnesota for an annual bout of shivering and is usually found holding whatever brewed beverage is socially acceptable at the given hour.

Kim Vodicka is the author of Aesthesia Balderdash (Trembling Pillow Press, 2012) and the Psychic Privates EP (forthcoming from TENDERLOIN, 2016). She holds an MFA in Creative Writing from Louisiana State University. Her poems, art, and other writings have appeared in Spork, RealPoetikCloudheavy Zine, Epiphany, Industrial Lunch, Smoking Glue Gun, Paper Darts, The Volta, Queen Mob’s Teahouse, Makeout Creek, Luna Luna Magazine, Best American Experimental Writing (BAX) 2015, and other publications. Her poetry manuscript, Psychic Privates, was a 2015 Tarpaulin Sky Book Prize Finalist. Cruise more of her work atih8kimvodicka.tumblr.com.

 

Masthead:

Editor: Kayla Haas
Assistant Editor: Trevor Fuller
Fiction Editor: Benjamin Hojem
Poetry Editor: Taylor Gorman
Nonfiction Editor: Ciara Hespe
Web Editor: Monique Richardson
Public Relations Director: Shannon Nakai Wingert
Readers: Katie Amundsen, Nicole Byrne, Abe Fitzpatrick, Matt Garner, Toni Loeffler, Shannon Nakai, Kiley Porter, Jeremy Richard, Rhiannon Scharnhorst, Chance Swaim, Noah Trammell, Ellery Wadman-Goetch, Josh Zimmerer

Categories
Poetry for mojo 10

Vincent A. Cellucci – slinged hero reunites w/ emergency blanketed boo

settling score chores /       may have /         left me a little happily-ever-breathless /

 

but what are these millions worth /           w/o  a reunion      /                          before closing /

 

credits     /                            come up cocoon  /                    wrap this bitch /

 

up   /        in emergency blanket    /                             present /

 

her   /       to me      /         patient among emergency scurry /                                   waiting/

 

greasy /                                                    with appreciation /

 

exhausted /         scene in front of the exhaust /

 

of an ambulance  /    complete with  surrogate    /   child   /

 

I happened to save /

not for nothin’ mind you /

 

another gun shot notch /                                   my shoulder caught /

 

happens so often I forgot /

 

she calls me /                courage

 

sometimes we lock lips  /

 

making the previous battle  /

 

penultimate

 

and tear-ups only after /

 

math

Categories
Poetry for mojo 10

Kim Vodicka – T h e r e f i r e

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