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Issue 6 Contributors

Zachary Doss lives in Tuscaloosa, Alabama, where he is the fiction editor for the Black Warrior Review. His work has appeared online at Hobart.

Lauren Gordon is the author of “Meaningful  Fingers” (Finishing Line Press, 2014) and “Keen” (horse less press,  2014) and she is a Contributing Editor to Radius Lit.

Shasta Grant received her MFA from Sarah Lawrence College. Her work is forthcoming or has appeared in Corium Magazine, The Journal of Compressed Creative Arts, Proximity Magazine, WhiskeyPaper, Mojave River Review, and elsewhere. A Writer-in-Residence at Hedgebrook in 2007, she is also an editor for Storyscape. She lives in Singapore and Indianapolis and can be found online at www.shastagrant.com.

Kristen Gunther is a doctoral student in ecosystem  management and ecology at the University of Wyoming, where she also  completed an MFA in creative writing. In addition to being in mojo and  Mikrokosmos, her work has appeared or is forthcoming in West Branch,  CutBankTHRUSHParcel, and elsewhere.

Matt Rowan lives in Chicago, IL. He co-edits Untoward Magazine and is the author of the story collection Why God Why (Love Symbol Press, 2013). His work has appeared, or soon will, in NOÖ Journal, Gigantic, Skydeer Helpking, Booth Journal, Necessary Fiction and Pear Noir!, among others. More at literaryequations.blogspot.com.

About the Artist:

Jennifer Davis is a Minneapolis-based artist known for her imaginative paintings of surreal creatures and whimsical characters. She has participated in numerous solo and group exhibitions at venues such as The Minneapolis Institute of Arts (Minneapolis, MN); The DeVos Art Museum (Marquette, MI); Soo Visual Arts Center (Minneapolis, MN); Foster Museum (Eau Claire, WI); Bloomington Art Center (Bloomington, MN); and Turchin Center for the Visual Arts (Boone, NC), as well as several galleries in major cities across the United States. Davis is a recipient of the 2013 Next Step Fund Grant from the Minnesota Regional Arts Council/McKnight Foundation. She holds a BFA from the University of Minnesota.

 

Masthead

Managing Editor, Nonfiction Editor, Website Design- Kallie Falandays

Assistant Editor- Matthew DeAngelis

Poetry Editor- Brian Orth

Fiction Editor- Garrett Quinn

Readers- Christopher Krueger, Matthew DeAngelis, Charlie Edwards, Trevor Fuller, Tiffany Lear, Jake Russell, Olivia Lawrence, Taylor Gorman, Kallie Falandays

Categories
Poetry for Issue 6

No One is Martyring Anyone – Lauren Gordon

Every town has a witch
living at the top of a hill
in a run-down house
and none of the neighborhood boys
will mow her lawn,
not even for ninety dollars,
because her eyes are milky
and she smells like vinegar;
a side-effect from cracking open the thighs
of babies and sucking out the marrow
in order to keep living
in that run-down house
on top of the hill.

Once, a mile-wide hole in Iowa was discovered
and the excavation employed one hundred
female archaeologists who revealed
an unfathomable history of missing children;
milk-carton girls who were never seen
again; they just piled into the hole
to become salt, so low in the dirt.
A fingerprint of a breeze
ruffled the prairie grass
around the hole and people said
that was ascension.

You can find most things
in the same place you left them.
A witch finds her newt eyeballs
in the cupboard next to the Ritz Crackers.
A little girl finds her twin in Iowa.
I found a statue of Joseph
buried in the front yard.
He was upside down,
which made sense.

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Categories
Poetry for Issue 6

The Pet – Kristen Gunther

 

 

One day in the shower the little ball of grief thawed and came loose and poured out of her
in waves, fauceting from her nose, her mouth, maybe even a little from her ears. She
tilted her head forward, bemused, and watched the thick black of it halo around the drain,
and spin, and when it was done and she wiped her face limply the darkness made a water
cyclone until it was almost as tall as she was and then formed a beast without eyes that
said, What do you want?  And the woman said, Go find others, and without waiting even
a moment the thing was out of the bathroom, leaving stepping-stone inscrutable puddles
all the way to the door, and then nothing beyond the door.

Her head was less heavy but something else in her suffered. She found herself thinking of
the beast at odd hours (putting water on to boil for pasta, returning a book to the library,
the smell of gasoline at the pump station). Sometimes it would send her text messages
that let her know who it had gotten. Butterfur dog tailtucked away, he would write. Deep-
dyed man angry over wife. Catholic school-girl no more in school ever.
And each time,
she felt her heart nearly break open with affection, and she loved these messages from the
creature so fiercely, and she grew to believe in its one-day return. But never.

She was walking back from the grocery store years after he left and thought she saw him
in an alley, and almost cried out, Dear monster, you’ve come back, but actually it was just
a splotch of indigo paint against the crumbling brick, or the billow of dress pants over the
leg of a smoking man.
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Categories
Issue 6 Nonfiction

Ex-Husbands – Shasta Grant

Ex-Husbands

1.
An altar dedicated to her first. Framed black & white photographs, Navy medals and certificates, a pressed rose. A file full of letters sent after their divorce that I stole when she wasn’t looking. How are you? The weather here in Florida sure is nice. I should give these back to my grandmother but how to do so with admitting my crime?

He left when my mother was five years old. Came home from a hunting trip and threatened to shoot them with his rifle. That dead deer draped over the roof of his car. The sound of his boots on the walkway, the car door slamming. At dusk he drove past fields of Maine potatoes. But all that’s forgotten now, in the past. Let’s not talk about that.
What remains: the myth of a great love. The war hero. He did the best that he could, she says.

He drank himself to death. Died alone, in Florida. Where the weather sure is nice.

2.
No devotion to the second, who loved thick blocks of feta cheese, floating in plastic deli containers filled with water. Fried smelt, those tiny little fish, placed on paper towels to soak up the grease. Black & white photographs found in his bureau drawer: her standing barefoot on his shoulders, his hands behind her ankles, keeping her steady; sitting on the bumper of a big black car, foreheads pressed together, eyes locked.

A kitchen forever in a state of renovation. A Greek family that she says wouldn’t accept my mother: that blonde girl bad! He called my mother kori mou. My daughter.

For almost two decades after the divorce, he asked: do you think she’d take me back?

He couldn’t remember any of us when he died.

3.
A name in an arrest report, one of many for my mother. May 8, 1983. No officer, he’s not the baby’s father. Another arrest report dated July 1, 1983. Spouse’s name: divorce in progress.

One envelope with his last name attached to my mother’s first name in the return address, postmarked 4 Oct 1982. Her familiar handwriting. Nothing inside, empty. It’s addressed to my grandmother, as if that would have stopped me from reading the letter. I open it and shake it anyway, trying to read the air that tumbles onto my desk.

He accepts my friend request on Facebook. I wait awhile before sending him a message. I make it clear she’s long dead and I don’t want anything from him.

How old are you now? Are you sure you want to know about her life? Yes, yes, I do. Tell me everything. Tell me now. Start from the beginning. Don’t leave out a thing.

But I move too fast, like I always do. I mention the baby that wasn’t his. Or was it? He doesn’t write back.

4.
A marriage certificate, still in its manila envelope, found among my mother’s files. Return address stamped: Office of Town Clerk, Stowe, Vermont. Date of marriage: June 20, 1992. Under “father’s name” I see the Navy hero and in this way he attended his daughter’s wedding from the grave.

One letter with his last name, her first. Purple ink. Postmarked 18 Feb 1993. The back is stamped: Grafton County Department of Corrections. Tonight is President Clinton’s first speech. If you could have voted, who did you want? How did your cheerleading competition go?

I Google his name, thinking he may be kind, he may tell me what I want to know. He married her while she was waiting for a trial date (two bullets: one to the chest, one to the left ankle). Who marries a woman prison-bound for shooting her former boyfriend?

An obituary: he died fourteen years ago. Struck by a vehicle on I-89 while aiding a stranded motorist on the side of the road. A hero. Volunteer fire fighter. He enjoyed camping, sculpting, drawing, golf, skiing, dancing, feeding wild birds and caring for his plants. He will be remembered for always giving to others.

Survivors: a first wife, a daughter, a fiancé, a father, mother, maternal grandmother, sister, four brothers. No mention of my mother.

5.
No altar, no black & white photographs, no photographs at all. No roses, no letters. All left behind. No scraps of paper to be parsed over, examined. No evidence.

A Facebook message at Christmas after ten years of silence. A mysterious box of “personal effects” he found in storage from when we moved across the country together. No, no, he will not tell me what’s inside. Do you want it? Yes, yes. Come and get it, he says.

A trophy, he says. Other things too. He can’t go into details. No, no. Keep the cheerleading trophy. Keep the whole damn box.

Let’s not talk about it anymore. Let’s pretend none of this ever happened at all.
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Categories
Poetry for Issue 6

The Man With Too Many Ears – Zachary Doss

The man with too many ears has ears all over his body. His
ears aren’t connected to anything in his brain & he doesn’t hear
any better than average but this is a misconception people
have. When people talk to him they talk in whispers because
they assume that his hearing is magnified, sensitive. He spends
a lot of time explaining this to other people, speak up please no
louder no louder than that
. His lovers whisper into the small
elegantly shaped ear behind his knee & he never knows what
they say, their secrets enter his deaf body & the sound goes
into the meat of him where it is a mute vibration he feels
aching in the strands of his muscles until it dies. When he gets
old his working ears become deaf & he goes to the ear doctor
& the ear doctor asks which ear are you having trouble with & the
man with too many ears says all of them.

 

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